This tribute to architect Louis Sullivan tells a sweeping story with a wealth of visual detail. The rise and fall of Sullivan’s career originates with the 1871 Chicago fire, which made the city a blank slate for ambitious architects. In the late 1800s, Sullivan, who had made his way west after a rigorous École des Beaux-Arts education, created an authentically American architecture at a time when most buildings aspired only to knock off European styles. His commitment to originality led him first to the pinnacle of success with notable early skyscrapers and later to a swift decline due to changing customer tastes and an economic depression. Though his late-career “jewel box” banks were a triumph, Sullivan died penniless. Sullivan’s extraordinary ornamental designs set him apart as an artist. According to Frank Lloyd Wright, who was Sullivan’s chief draftsman for seven years, Sullivan “could draw as beautifully as he could think.”
In his film company dokumentar.no Lie has since 2008 been working as a film director, cinematographer and producer for documentaries. He works with the new Canon EOS 5D/7D with HD film, and edits in Apple's Final cut.
With Haiti mon Amour (Kjære Haiti, hva nå?) Lie went to Port-au-Prince after the earthqake with Ole Paus and others. We followed the money collected by the norwegian consert Dugnad for Haiti and NRK, and then given to Red Cross, Church Aid and UNICEF. It is edited as a low budget film essay, an montage of images. (se video below)
He has since 2007 worked on a documentary portrait – The Seduced Human – Jørgten Leth and Haiti on the danish renowned filmmaker Jørgen Leth (2011). This one-hour documentary is financed so far by the Norwegian Film Institute with 720 000 kroner – and will be released in 2011. (se video below)
Lie is also editor-in-chief for DOX, the leading European quarterly magazine for documentary films, published by the European Documentary Network. See PDFs of the last magaines below.
Lie has been the editor-in-chief and publisher for Morgenbladet between 1993-2003, and has been editor-in-chief/publisher of the Nordic edition of the monthly newspaper Le Monde diplomatique between 2003-08, where he now is still the publisher and regulary film critic.
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