GOOD FORTUNE explores how massive, international efforts to alleviate poverty in Africa may be undermining the very communities they aim to benefit. Through intimate portraits of two Kenyans battling to save their homes from large-scale development organizations, the film presents a unique opportunity to experience foreign aid through the eyes of the people it is intended to benefit.
On the outskirts of Nairobi, Silva’s home and business in Africa’s largest squatter community are being demolished as part of a United Nations slum-upgrading project. In the rural countryside, Jackson’s farm is being flooded by an American investor who hopes to alleviate poverty by creating a multi-million dollar rice farm.
Interweaving meditative portraits of its characters, GOOD FORTUNE examines the real-world impact of international aid. With a broad scope and intimate style, the film portrays gripping stories of human perseverance and suggests that the answers for Africa lie in the resilience of its people.
In his film company dokumentar.no Lie has since 2008 been working as a film director, cinematographer and producer for documentaries. He works with the new Canon EOS 5D/7D with HD film, and edits in Apple's Final cut.
With Haiti mon Amour (Kjære Haiti, hva nå?) Lie went to Port-au-Prince after the earthqake with Ole Paus and others. We followed the money collected by the norwegian consert Dugnad for Haiti and NRK, and then given to Red Cross, Church Aid and UNICEF. It is edited as a low budget film essay, an montage of images. (se video below)
He has since 2007 worked on a documentary portrait – The Seduced Human – Jørgten Leth and Haiti on the danish renowned filmmaker Jørgen Leth (2011). This one-hour documentary is financed so far by the Norwegian Film Institute with 720 000 kroner – and will be released in 2011. (se video below)
Lie is also editor-in-chief for DOX, the leading European quarterly magazine for documentary films, published by the European Documentary Network. See PDFs of the last magaines below.
Lie has been the editor-in-chief and publisher for Morgenbladet between 1993-2003, and has been editor-in-chief/publisher of the Nordic edition of the monthly newspaper Le Monde diplomatique between 2003-08, where he now is still the publisher and regulary film critic.
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